戏剧艺术
-
破茧成蝶李盾 著本书记录了中国知名音乐剧制作人李盾的音乐剧故事。全书共分为三部分,部分讲述他开始制作音乐剧前的人生阅历及对于音乐剧的酝酿;第二部分以其一系列中国原创音乐剧作品串起他的音乐剧故事,通过台前幕后的生动讲述,还原了其原创音乐剧的制作历程,也侧面反映了中国原创音乐剧的发展;第三部分收录了李盾对于音乐剧制作、音乐剧教育的所思所想。如何站在世界中心,讲好中国故事?李盾通过带领读者进入他的音乐剧世界给出了自己的答案。
-
粉墨欢娱友燕玲 著本书以通俗有趣又不乏专业性的语言讲述宁波戏曲的前世今生。先为绪言,概述宁波地方戏曲之于宁波地域文化的意义。后分为四个部分:“戏史记忆”从戏曲发展的角度展示宁波戏曲的历史面貌;“戏种风貌”畅谈越剧、甬剧、姚剧、宁海平调四个现存剧种之古往今来;“戏目杂谈”选取若干具有代表性的剧目,用讲故事的方式叙写;“‘码头’戏事”回顾了一些戏曲名家和旧闻轶事,讲述宁波城这个“戏码头”里的故事。本书既有对戏曲历史发展的宏观述说,又有对戏种戏目戏事的微观解读,反映了宁波地方戏曲的艺术魅力和艺术价值。
-
中国少年派黄春华 著“只是分别十年,就算一辈子,我也不会忘记承诺,我永远等着你回家。” 一个关于时间的魔术,转变两代人爱恨的命运,守候十年青春的泣血承诺!超现实主义青春成长小说,尽情施展瑰丽想象和青春现实的文字魔术! 一个停止长大的女孩,一个永不遗忘的男孩,青梅竹马,苦苦守候,跨越十年时空,只为完成一个命运大魔术,只为再一次拉起你的手。此生,我定不负你的承诺和约定。 患有先天性心脏病的女孩夏琪和邻家男孩杜二步是青梅竹马,因为杜二步无微不至的关怀,夏琪一次次从死亡线上找回生的希望。夏琪的父亲是远近闻名的大魔术师,他偷走了一颗价值连城的命运宝石,命运宝石主导的魔术可以冻结夏琪的时间,为了夏琪的未来,他找到男孩杜二步,与他定下了十年的守护之约。 十年的等待,男孩长成青年,他默默守着对命运魔术的承诺,也守着内心无以告慰的秘密:他知道,害了她的是自己;他决定,无论是十年还是二十年,都要守下去。
-
复调的现代咏唱张一琼 著本书以20世纪表现主义作曲家贝尔格的歌剧《沃采克》为主要研究对象,结合创作背景、风格流派和美学思想等,对他创作中所涉及的复调音乐体裁和技法予以全面、系统的归纳和总结;并在此基础上,进一步探讨复调思维在贝尔格创作中的重要作用。全书由序论、正文四章及结语组成,分别从本书的应用价值及国内外研究现状,贝尔格的创作生平,贝尔格作品中的复调音乐体裁,歌剧《沃采克》所运用的复调体裁进行阐述;对贝尔格作品中复调体裁的创新及结构作用、复调技法的发展变异、风格的多元化、十二音音乐的实践进行了概括性的回顾和总结。
-
了不起的中国戏剧翁偶虹 编剧,田鑫鑫 改编 临墨 绘绘本改编自京剧《锁麟囊》。登州富家小姐薛湘灵出嫁,婚期中途遇雨,在亭中暂避,巧遇另一出嫁新娘赵守贞。薛湘灵见赵守贞因身世贫苦凄凉而悲啼,遂以锁麟囊相赠。六年后登州大水,薛湘灵和家人失散,漂流到莱州,入卢府成为卢家儿子的保姆。机缘巧合之下,薛湘灵在卢府的小楼里见到了当年送出的锁麟囊,不觉感泣。原来卢夫人就是当年的赵守贞,她得知真相后,与薛湘灵结为姊妹,并帮助她一家团聚。书后配有相应的剧种知识介绍。书中插图从人物造型到环境布局,从亭台楼阁到一草一木,都细腻传神,充满了古朴优雅的意蕴,使读者仿佛身临“戏”境,具有极强的艺术感染力。The picture book is adapted from the Beijing Opera The Lucky Purse. Xue Xiangling, daughter of a wealthy family from Dengzhou, is getting married. She encounters rain in the middle of her way to the ceremony and takes shelter in a pavilion. She happens to meet another bride, Zhao Shouzhen. Xiangling sees that Shouzhen is crying because of her poverty and misery, so she gives Shouzhen a lucky purse. Six years later, when there are floods in Dengzhou, Xiangling and her family are separated and she follows the refugees to Laizhou, where she enters the Lu Mansion and becomes the nanny of the Lu family's son. By chance, Xiangling finds in a small building of the Lu Mansion the lucky purse that she gave all those years ago to Shouzhen; she can't help but bursts into tears. It turns out that Mrs. Lu was exactly Shouzhen. After the two women learn the truth, they becomes sworn sisters,and Shouzhen helps Xiangling's family reunite. At the end of the book are knowledges of Beijing Opera. The illustrations in the book, both charaters and scenery and all other details, are delicate, expressive, simple and elegant. With strong artistic appeal, the book makes readers feel as if they themselves are in the play.
-
了不起的中国戏剧[元]尚仲贤 编剧,田鑫鑫 改编 辰露 绘绘本改编自粤剧《柳毅传书》。秀才柳毅赴京应试,途经泾河畔,见一牧羊女悲啼,询知为洞庭龙女三娘,遣嫁泾河小龙,遭受虐待,乃仗义为三娘传送家书,入海会见洞庭龙王。钱塘君惊悉侄女被囚,赶奔泾河,大闹龙宫,救回龙女。三娘得救后,深感柳毅传书之义,请乃叔钱塘君作伐求配。柳毅为避施恩图报之嫌,拒婚而归。多年后柳毅与一卢姓女子结为连理,并生下一子。满月酒席上妻子头戴当年柳毅与龙女的信物,柳毅询问之下发现原来妻子就是龙女化做的凡人。二人感情日笃,洞庭一带也在龙王的关照下风调雨顺。书后配有相应的剧种知识介绍。书中插图从人物造型到环境布局,从亭台楼阁到一草一木,都细腻传神,充满了古朴优雅的意蕴,使读者仿佛身临“戏”境,具有极强的艺术感染力。The picture book is adapted from the Cantonese Opera The Princess's Messenger. Liu Yi, a scholar, goes to Beijing to take the imperial exams. Passing by the Jinghe River, he sees a shepherd girl weeping, who turns out to be the third daughter of the Dragon King of Dongting River. She tells Liu Yi that after married the Dragon Prince of Jinghe River, she is tortured by her husband and his family. Hearing this, Liu Yi cannot hold his indignation and offers to send letter for the Dragon Princess to her family. When Liu Yi is in the Dragon Palace of Dongting River, Dongting Dragon King's younger brother, Qiantang Dragon King also learns the news. He is shocked to find that his niece is imprisoned. He rushes to the Jinghe River, turns the Jinghe Dragon Palace upside down, and rescues his niece. After being rescued, the Dragon Princess is moved by Liu Yi's righteousness of sending the letter, and asked her uncle, the Qiantang Dragon King, to marry her to Liu Yi. Mistaking the Dragon Princess's affections as her repaying his kindness, Liu Yi refuses to marry and returns home. Years later, Liu Yi marries a woman and they have a son. When the boy is one month old, the couple have a feast and invite everyone. On the banquet, the wife is wearing the keepsake that the Dragon Princess gave Liu Yi many years ago. Liu Yi asks and finds that his wife is exactly the Dragon Princess, who has disguised as an ordinary woman and marries him. The relationship between the two becomes even closer, and the area of Dongting River is always blessed by the Dongting Dragon King. At the end of the book are knowledges of Beijing Opera. The illustrations in the book, both charaters and scenery and all other details, are delicate, expressive, simple and elegant. With strong artistic appeal, the book makes readers feel as if they themselves are in the play.
-
反叛的戏剧罗伯特-布鲁斯坦 著;夏纪雪 译假如我们放眼整个古典戏剧的发展历程,我们便能清晰地看到一条“神—英雄—人”的发展路线:《被缚的普罗米修斯》讲述了天神盗火受罚的故事,《熙德》讲述了英雄在道义与情义间的取舍,《戴爱丝·拉甘》讲述了通奸之人受到幽灵的折磨。这与现代戏剧的发展经历类似——“救世性反叛”戏剧也将目光投向天国的神,然后逐渐回到“社会性反叛”戏剧中的高举“个人”大旗的凡人英雄,后到“存在主义反叛”中的无用之人。可以说,旧式戏剧完成了反叛的循环,戏剧在新一轮的循环中进入了现代戏剧。无论是旧式戏剧、现代戏剧还是当代戏剧,它们都处在循环的过程之中。书中所分析的九位戏剧家包括 : 易卜生、斯特林堡、契诃夫、萧伯纳、布莱希特、皮兰德娄、奥尼尔、阿尔托以及热内,基本囊括了对现代戏剧做出卓越贡献的大家。虽然这些戏剧家的创作历程和思想经历各有不同,但他们都受到同一种驱动力——反叛精神——的驱使。反叛的精神可以分为三类: 救世性反叛、社会性反叛和存在主义反叛,三种反叛呈回环式发展,恰好反映了现代戏剧的循环发展历程。
-
近代宫廷戏曲档案文献研究杨连启 著京剧是中国传统文化之一,流播全国,影响甚广,有“国剧”之称,是中华民族传统文化的重要表现形式,其中的多种艺术元素被用作中国传统文化的象征符号。本书主要围绕近代宫廷演剧过程中的重要阶段,特别是倾向宫廷演剧史上所发生的重要事件来进行探讨与研究。本书所用史料,大部分是作者近年考证挖掘的新文献,部分来自国家图书馆、中国艺术研究院图书馆文献资料。时间上,本书上限为道光朝,下限至光绪三十四年,以近代宫廷不同时期所出现的重要活动与重要事件始末为章节进行展开。内容涉及清代帝后关于戏曲演出的谕旨、演出后赏赐物品钱粮数额、戏台修缮、昇平署内外节令、宴戏、大戏等等。
-
梨园擂台赛少儿经典唱段王春阳,窦东杰 著《梨园擂台赛少儿经典唱段》通过河南广播电视台拳头戏曲栏目《梨园春》开播20年来的经典片断大数据分析,精选了61段适合儿童特点的唱腔,其中经典现代戏11段、现代戏歌7段、豫剧传统戏23段、曲剧传统戏2段、越调传统戏3段、经典京剧2段、经典黄梅戏3段、越剧传统戏1段、折子戏9段。这些片断无论从政治性、艺术性方面,都是经久不衰的精品。在编辑整理曲谱的基础上,在每个戏段之后,附加了戏段背景知识的延伸阅读。在本书的最后一部分,编写了戏曲基本知识简介,不仅可以扩大孩子们的戏曲视野,还可以对戏曲的舞台艺术、戏曲乐理知识等有进一步的了解。
-
国韵京剧首都图书馆 著《国韵京剧——梨园弟子》采访、拍摄约40小时视频。视频资料内容丰富、涵盖范围广,有较高的文献价值,如进行文字整理、编辑,极具收藏价值。此外,除拍摄影片使用的资料外,尚有蕴藏在视频资料中的大量素材、选题未曾开发,此项目将其进行整理与编辑,是一项基础性工作。该项目的成果一可供作为文献资料进行使用;二可为进一步的文献开发提供素材。本书工作分为二部分:一是整理视频文字;二是出版图书。先将视频资料进行整理,编辑出版图书。