本书详细阐述了青阳腔的源流、产生及发展的历史状况，从戏曲声腔的本体出发，系统介绍了青阳腔的唱腔特点、舞台表演、代表艺术家及重要剧目，历史性和文献性相结合，是关于青阳腔剧种的一部史、志、论相结合的总结性著作。

《曹禺晚年的艺术世界》由曹禺研究专家、曹禺首部传记作者曹树钧教授撰写而成。本书立足曹禺晚年，从戏剧创作、艺术教育、艺术管理、艺术理论四个层面来探讨曹禺晚年的艺术世界。其中，穿插着分析曹禺晚年时期的创作心态。这不仅有助于曹禺创作研究的深入，而且对我们今天如何努力创作出具有中国特色的时代精品，具有一定的启迪作用。因此，本书是一本可供曹禺研究者参考，且具有一定学术价值的图书。

演员是观众的镜子，暴露隐秘的自己，是为了让观众看到他们自己。作者通过回溯个人演艺生涯及人生经历，深入剖析了“成为一名演员”是怎样一趟旅程，让表演者更加了解这份职业，也让普通人理解为什么一个人会想要当演员。作为一本回忆录式的演员入行指南，书中没有只奉行某一特定派系的方法，而是鼓励表演者发现自己个性和能力的独特之处，从而找到个人化的工作方式，活出不一样的戏剧人生。

该书从真实深刻地表现中国社会现实和中国人的生存、生命及思想情感出发，对传统戏曲和戏曲理论进行深度的现代阐释和创造性转化，对外国戏剧和戏剧理论进行充分而又富有主体性的选择和借鉴，继续在古今中外戏剧和戏剧理论的交流与融会中，完善和深化中国戏剧和戏剧理论的现代建构。选文要求：选取学者各阶段最有代表性的成果结集，以专著和论文为主，如有较多学术随笔，也可收入。（不收生活随笔及虚构类文学创作）以论著形式呈现，避免形式散漫的论文集，每本书要依据严密的逻辑线索进行组织。论文排序可以创作/发表时间为序，或以专题为选录线索。 关于序/跋 ： 可由作者本人自行撰写，或邀请他人撰写。要求序言不少于5000字，介绍本人学术研究历程，梳理研究发展脉络，总结各阶段主要成就，将对学科发展的思考和构想渗透其中。

本书作者张志仁经过多年的潜心研究、记谱整理，从梅兰芳先生广为流传的100出戏中选取了1000多个唱段的曲谱，其中，缀玉轩新戏26出，梅派传统戏57出，昆曲17出。本书按剧目分为10卷，每卷均为10出戏的精选唱段。每出戏均有创作背景及剧目介绍。本卷收录了《赶三关》《武家坡》《算军粮》《银空山》《大登殿》《破洪州》《长坂坡》《春秋配》《穆柯寨》《枪挑穆天王》十部戏的经典唱段。本书所选唱段是研究、传承“梅派”艺术的重要资料，适合专业京剧工作者阅读，也适合业余京剧爱好者典藏。

本书作者张志仁经过多年的潜心研究、记谱整理，从梅兰芳先生广为流传的100出戏中选取了1000多个唱段的曲谱，其中，缀玉轩新戏26出，梅派传统戏57出，昆曲17出。本书按剧目分为10卷，每卷均为10出戏的精选唱段。每出戏均有创作背景及剧目介绍。本卷收录了《缀玉轩新戏》《木兰从军》《千金一笑》《牢狱鸳鸯》《麻姑献寿》《春灯谜》《俊袭人》《廉锦枫》《抗金兵》《新三娘教子》十部戏的经典唱段。本书所选唱段是研究、传承“梅派”艺术的重要资料，适合专业京剧工作者阅读，也适合业余京剧爱好者典藏。

本书作者张志仁经过多年的潜心研究、记谱整理，从梅兰芳先生广为流传的100出戏中选取了1000多个唱段的曲谱，其中，缀玉轩新戏26出，梅派传统戏57出，昆曲17出。本书按剧目分为10卷，每卷均为10出戏的精选唱段。每出戏均有创作背景及剧目介绍。本卷收录了《宇宙锋》《上元夫人》《生死恨》《凤还巢》《霸王别姬》《穆桂英挂帅》《花园赠金》《彩楼配》《三击掌》《探寒窑》十部戏的经典唱段。本书所选唱段是研究、传承“梅派”艺术的重要资料，适合专业京剧工作者阅读，也适合业余京剧爱好者典藏。

绘本改编自京剧《锁麟囊》。登州富家小姐薛湘灵出嫁，婚期中途遇雨，在亭中暂避，巧遇另一出嫁新娘赵守贞。薛湘灵见赵守贞因身世贫苦凄凉而悲啼，遂以锁麟囊相赠。六年后登州大水，薛湘灵和家人失散，漂流到莱州，入卢府成为卢家儿子的保姆。机缘巧合之下，薛湘灵在卢府的小楼里见到了当年送出的锁麟囊，不觉感泣。原来卢夫人就是当年的赵守贞，她得知真相后，与薛湘灵结为姊妹，并帮助她一家团聚。书后配有相应的剧种知识介绍。书中插图从人物造型到环境布局，从亭台楼阁到一草一木，都细腻传神，充满了古朴优雅的意蕴，使读者仿佛身临“戏”境，具有极强的艺术感染力。The picture book is adapted from the Beijing Opera The Lucky Purse. Xue Xiangling， daughter of a wealthy family from Dengzhou， is getting married. She encounters rain in the middle of her way to the ceremony and takes shelter in a pavilion. She happens to meet another bride， Zhao Shouzhen. Xiangling sees that Shouzhen is crying because of her poverty and misery， so she gives Shouzhen a lucky purse. Six years later， when there are floods in Dengzhou， Xiangling and her family are separated and she follows the refugees to Laizhou， where she enters the Lu Mansion and becomes the nanny of the Lu family's son. By chance， Xiangling finds in a small building of the Lu Mansion the lucky purse that she gave all those years ago to Shouzhen; she can't help but bursts into tears. It turns out that Mrs. Lu was exactly Shouzhen. After the two women learn the truth， they becomes sworn sisters，and Shouzhen helps Xiangling's family reunite. At the end of the book are knowledges of Beijing Opera. The illustrations in the book， both charaters and scenery and all other details， are delicate， expressive， simple and elegant. With strong artistic appeal， the book makes readers feel as if they themselves are in the play.

绘本改编自粤剧《柳毅传书》。秀才柳毅赴京应试，途经泾河畔，见一牧羊女悲啼，询知为洞庭龙女三娘，遣嫁泾河小龙，遭受虐待，乃仗义为三娘传送家书，入海会见洞庭龙王。钱塘君惊悉侄女被囚，赶奔泾河，大闹龙宫，救回龙女。三娘得救后，深感柳毅传书之义，请乃叔钱塘君作伐求配。柳毅为避施恩图报之嫌，拒婚而归。多年后柳毅与一卢姓女子结为连理，并生下一子。满月酒席上妻子头戴当年柳毅与龙女的信物，柳毅询问之下发现原来妻子就是龙女化做的凡人。二人感情日笃，洞庭一带也在龙王的关照下风调雨顺。书后配有相应的剧种知识介绍。书中插图从人物造型到环境布局，从亭台楼阁到一草一木，都细腻传神，充满了古朴优雅的意蕴，使读者仿佛身临“戏”境，具有极强的艺术感染力。The picture book is adapted from the Cantonese Opera The Princess's Messenger. Liu Yi， a scholar， goes to Beijing to take the imperial exams. Passing by the Jinghe River， he sees a shepherd girl weeping， who turns out to be the third daughter of the Dragon King of Dongting River. She tells Liu Yi that after married the Dragon Prince of Jinghe River， she is tortured by her husband and his family. Hearing this， Liu Yi cannot hold his indignation and offers to send letter for the Dragon Princess to her family. When Liu Yi is in the Dragon Palace of Dongting River， Dongting Dragon King's younger brother， Qiantang Dragon King also learns the news. He is shocked to find that his niece is imprisoned. He rushes to the Jinghe River， turns the Jinghe Dragon Palace upside down， and rescues his niece. After being rescued， the Dragon Princess is moved by Liu Yi's righteousness of sending the letter， and asked her uncle， the Qiantang Dragon King， to marry her to Liu Yi. Mistaking the Dragon Princess's affections as her repaying his kindness， Liu Yi refuses to marry and returns home. Years later， Liu Yi marries a woman and they have a son. When the boy is one month old， the couple have a feast and invite everyone. On the banquet， the wife is wearing the keepsake that the Dragon Princess gave Liu Yi many years ago. Liu Yi asks and finds that his wife is exactly the Dragon Princess， who has disguised as an ordinary woman and marries him. The relationship between the two becomes even closer， and the area of Dongting River is always blessed by the Dongting Dragon King. At the end of the book are knowledges of Beijing Opera. The illustrations in the book， both charaters and scenery and all other details， are delicate， expressive， simple and elegant. With strong artistic appeal， the book makes readers feel as if they themselves are in the play.

剧本是一剧之本，人才是事业之本。为促进戏剧和影视创作的繁荣和发展，上海文化发展基金会在上海市委宣传部支持下，实施了一套比较完整的扶持机制。《青年编剧作品选（2015年度）》是上海文化发展基金会“青年编剧扶持项目”推出的成果，是基金会对获得资助的剧本的结集出版。书中共收录了17个青年编剧创作的剧本，其中舞台类剧本12个，有《心结》《金陵·永生》《爱不释手》《细菌争霸战》等；影视类剧本5个，有《溯流前来的访客》《暴力上班虫》《我的美丽校园》等。此外，每个剧本后附有指导老师对该剧中肯的评语。本书的出版，旨在体现上海文化发展基金会对青年编剧扶持项目的宣传和支持力度，培养更多的青年编剧人才，为上海的文艺创作带来新的活力和气象。