巴黎，艺术至上

　　为什么荷兰人梵.高、俄国人夏加尔、西班牙人毕加索和米罗、意大利人莫第里安尼以及我国的赵无极等等，都是在法国修炼成仙，成为光照人类的绘画大师？是由于法国的浪漫吗？自由吗？为此几次跑到法国进行研究的冯骥才说：不是！他从法国的人文层面上找到了这个最根本又极美妙的答案，那便是――法兰西的精神至上！凭着他大量的发现性素材，全新的角度，惟画家才有的艺术感觉以及散文诗般的精美的文字，把他的答案如画一般呈现给我们。这是一本独特的书。既是作家写的画家，又是画家写的画家。这是一本典型的冯骥才式的作品。

暂缺《巴黎，艺术至上》作者简介

逆光里的午餐·······························1
美是精神的浪漫·······························4-76
街头的吻·······························6
巴黎女郎·······························11
地铁中的乐手·······························18
巴黎的天空·······························24
翁弗勒尔·······························29
爱犬的天堂·······························44
拉丁区，我们那条小街·······························51
历史是一种灵魂·······························77-130
精神的殿堂·······························79
城市的文物与文化·······························84
巴黎的历史美·······························92
家庭的遗产·······························98
双重的博物馆·······························104
居住在拉雪兹的大师们·······························111
都德的灵气·······························120
活着的空间·······························126
塞纳河边的中国古董·······························133
巴黎的艺术家们·······························140-236
燃烧的石头·······························143
孤独者的自由·······························157
最后的梵.高·······························172
秋天巴比松·······························192
神奇的左手·······························202
站在悬崖上的艺术家们·······························211
法国人肚子里的中国画家·······························220
天上的摄影师·······························233