《中国经济（英文版）》主要内容为Preface、Chinas Economic Geography、Development Course of China s Economy、China s Basic Economic System and Policies、The Standards and Achievements of China s Economic Development、The Challenges and Development Trends of China s Economy、CHina s Role and Postition in the Global Ecomomy。

《中国农民画（西班牙文）》内容丰富，户县农民画孕育于传统的剪纸、刺绣等民间艺术，诞生于50年代，从70年代开始，不断的提高、创新、升华、成熟，逐步走出户县，走向全国，走向世界，成为全国影响力最大的农民画乡之一，被视为中国农村文化建设的典型。

《千字文》故事《千字文》是南北朝时梁朝人编写的，4个字一句，共250句，1000个字，所以称为“千字文”。本书根据《千字文》，精选些广泛流传的故事，以简短而生动有趣的方式讲述出来。

China as an important source of human civilization had given birth to brilliant ancient science and technology and led the world in most of the history of world civilization， and till the mid-19th century its economy was the largest in the world. The development of science and technology in ancient China was based on the observation and study of the human body， the objective world， the heavens， and the earth， which led to the concept of \Integration of nature and man，\ The achievements nourished Chinese culture and civilization， and contributed greatly to mankind. Ancient Chinese inventions and discoveries are rich and numerous.

China is the birthplace of one of the four greatest civilizations in the world，hence those cultural relics which， in huge quantities and immensely rich varieties， have always been fascinating. These cultural relics were produced during different periods of the Chinesehistory， over well over 7，000 years. They are gems of the Chinese civilization. This book gives a brief account of 8 types of cultural relics unearthed in China so far， including pottery， porcelain， jade and bronze. These are seen as the most representative of the Chinese culture， each in its own way providing a glimpse into ancient China.

The culture of festivals rooted deeply in the people， and it thus shows itsenormous vitality. In spite of the change of times， it has gradually becomepart of the heritages of the colorful Chinese civilization. These festivals willprovide an entry to the charming Chinese folk cultures.

China is richly endowed with the raw materials needed for makingceramics. Chinese discovered and mastered the techniques of porcelainfirst. Ceramic products are not only an important cultural heritage of humancivilization; they are still very much a part of everyone's lives， and in a verylively and colorful way. A beautifully crafted and tastefully formed ceramicpiece not only is a fruit of the technology and craft of its times， it alsorecords the bits of history and life. Sometimes， it can even carry paintings，poetry， calligraphy， sculpture all on its tiny body; or serve as a medium ofinformation for society.

Traditional Chinese painting was fundamentally an abstractModel art form.Although there were no absolute abstractModel Chinese paintings in its original meaning， objects in a painting were not a direct copy of the nature world following the principle of perspective. It was rather a combination or harmony between the nature world and human emotion， a product of "heaven （nature） and human". The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of objects in their paintings was no means accurate and few concerned about such factors as colors， principle of perspective， anatomy， surface feel， and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.

How did the classic Chinese garden take shape and develop？ How manyprototypes are there in Chinese gardens， what.similarities do they shareand how do they differ from each other？ What experience has beenaccumulated through the years of garden building， and what theories havebeen formed？ Let's walk into the Chinese gardens and take a closer look.

《百家姓》产生于宋代，是有关中国人姓氏的启蒙读物，采用4个字一句的歌谣形式，共计568字，介绍了504个中目人的姓氏。本书根据《百家姓》，精选一些广泛流传的故事，以简短而生动有趣的方式讲述出来。