书籍详情
解构现代喜剧：观看与叙事（双语版 以无厘头为例的一种解读方式）
作者：张文
出版社：中国纺织出版社
出版时间：2022-11-01
ISBN：9787518099610
定价：¥88.00
内容简介
喜剧是人类智慧的一种表达，在带给人们欢乐和启发对人生的思考的同时，展现了人类的生命活力。作为一种喜剧风格，无厘头以其解构传统，颠覆教条主义，反逻辑反常规性，获得了观众的喜爱。“观看先于语言”，换言之，所“看”及如何“看”，决定了叙事内容与方式。从观看与叙事的角度来看，在过去的 20年多里，无厘头之所以能够成为中国 为流行的喜剧风格，与其独树一帜的“时空错置”与“逻辑错位”叙事特点密切相关，而此叙事特点又对应于我们在网络空间里的观看行为。因此，可以说无厘头在中国的流行，是中国向网络社会转型的时代标志之一。喜剧创作来源于生活，也需要理论体系的支撑，《解构现代喜剧：观看与叙事——以无厘头为例的一种解读方式（双语版）》采用中英文两种语言写作，适用于编剧、脱口秀创作者、短视频创作者及高等院校在校学生。
作者简介
暂缺《解构现代喜剧：观看与叙事（双语版 以无厘头为例的一种解读方式）》作者简介
目录
INTERDUCTION
0.1 Wulitou as a Popula Style of Naative in China
0.2 Stoy, Naative and Schema
0.3 The Deconstuction of Schema in Wulitou Naatives
0.4 The Act of Seeing and the Constuction of Naative
0.5 The Rise of the Intenet and Wulitou Naative
0.6 Wulitou Naative and Chinese Native Cultual Context
0.7 Key Notions and Chapte Outlines
CHAPTER 1 WULITOU: AN ABNORMAL STYLE OF NARRATIVE
1.1 Why “We Humans Love Stoy”
1.2 Wulitou as an A
nomal Naative Style
1.3 The Populaity of Wulitou as a Style of Naative
CHAPTER 2 THE ACT OF SEEING, NARRATIVE AND MEDIA
2.1 The Act of Seeing Befoe Naative
2.2 Seeing as an Act of Choice / 108 2.3 Media and the Way of Seeing
2.4 The Populaity of Wulitou Naative and the Intenet
CHAPTER 3 THE WAY OF SEEING CORRESPONDING TO WULITOU NARRATIVE
3.1 TheSpatio-Tempoal Dimension of Seeing
3.2 The Way of Seeing Coesponding to Wulitou Naative
CHAPTER 4 WULITOU NARRATIVE AND POSTMODERNISM
4.1 Pemodenism, Modenism and Postmodenism
4.2 The Fom Designs of Typical Postmodenism Naative
4.3 Wulitou Naative and Typical Postmodenism Style Naative
4.4 The Cultual Context in China Aound the End of 1990s
CHAPTER 5 THE DESTRUCTION IN WULITOU NARRATIVE
5.1 Schema and Achetype
5.2 Wulitou: a Means to Deconstuct the Odes Between Things
5.3 The Canival, Gass Root, Paody and Wulitou Naative
CHAPTER 6 THE DECLINE OF WULITOU NARRATIVE
6.1 Anothe New Ea
6.2 Fom PC to Mo
ile Devices
6.3 Conclusion and Pospect
目.录
引言
0.1 在中国作为一种流行叙事风格的无厘头
0.2 故事、叙事与图式
0.3 无厘头叙事中的图式解构
0.4 观看与叙事建构
0.5 互联网的兴起与无厘头叙事
0.6 无厘头叙事与中国本土文化语境
0.7 主要概念和章节提要
章 .无厘头：一种另类的叙事风格
1.1 为什么“人类热衷于故事”
1.2 作为一种另类叙事风格的无厘头
1.3 无厘头叙事风格的流行
第二章 .观看、叙事与媒介
2.1 先于叙事的观看行为
2.2 观看行为的选择
0.1 Wulitou as a Popula Style of Naative in China
0.2 Stoy, Naative and Schema
0.3 The Deconstuction of Schema in Wulitou Naatives
0.4 The Act of Seeing and the Constuction of Naative
0.5 The Rise of the Intenet and Wulitou Naative
0.6 Wulitou Naative and Chinese Native Cultual Context
0.7 Key Notions and Chapte Outlines
CHAPTER 1 WULITOU: AN ABNORMAL STYLE OF NARRATIVE
1.1 Why “We Humans Love Stoy”
1.2 Wulitou as an A
nomal Naative Style
1.3 The Populaity of Wulitou as a Style of Naative
CHAPTER 2 THE ACT OF SEEING, NARRATIVE AND MEDIA
2.1 The Act of Seeing Befoe Naative
2.2 Seeing as an Act of Choice / 108 2.3 Media and the Way of Seeing
2.4 The Populaity of Wulitou Naative and the Intenet
CHAPTER 3 THE WAY OF SEEING CORRESPONDING TO WULITOU NARRATIVE
3.1 TheSpatio-Tempoal Dimension of Seeing
3.2 The Way of Seeing Coesponding to Wulitou Naative
CHAPTER 4 WULITOU NARRATIVE AND POSTMODERNISM
4.1 Pemodenism, Modenism and Postmodenism
4.2 The Fom Designs of Typical Postmodenism Naative
4.3 Wulitou Naative and Typical Postmodenism Style Naative
4.4 The Cultual Context in China Aound the End of 1990s
CHAPTER 5 THE DESTRUCTION IN WULITOU NARRATIVE
5.1 Schema and Achetype
5.2 Wulitou: a Means to Deconstuct the Odes Between Things
5.3 The Canival, Gass Root, Paody and Wulitou Naative
CHAPTER 6 THE DECLINE OF WULITOU NARRATIVE
6.1 Anothe New Ea
6.2 Fom PC to Mo
ile Devices
6.3 Conclusion and Pospect
目.录
引言
0.1 在中国作为一种流行叙事风格的无厘头
0.2 故事、叙事与图式
0.3 无厘头叙事中的图式解构
0.4 观看与叙事建构
0.5 互联网的兴起与无厘头叙事
0.6 无厘头叙事与中国本土文化语境
0.7 主要概念和章节提要
章 .无厘头：一种另类的叙事风格
1.1 为什么“人类热衷于故事”
1.2 作为一种另类叙事风格的无厘头
1.3 无厘头叙事风格的流行
第二章 .观看、叙事与媒介
2.1 先于叙事的观看行为
2.2 观看行为的选择
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