戏曲演进史：金元明北曲杂剧与明清南杂剧（四 下）

　　《戏曲演进史》是曾永义教授以剧种的演进为骨架，参照诸多文献资料与底本，编成的鸿篇巨制，全面阐述了中国戏曲的演进过程，被认为“完善了一代之学的内涵和外延”，是该领域的标志性著作。本书包括两大部分：“金元明北曲杂剧编”之第十四章至十五章以及“明清南杂剧”。各部分具体内容如下：“金元明北曲杂剧编”第十四章“北曲杂剧之余势：明初宪宗成化以前百二十年作家作品述评”、第十五章“周宪王及其《诚斋杂剧》 ”、第十六章“北曲杂剧的尾声：明中叶至清代名家名作述评”。“明清南杂剧”部分：“序说”、第一章“明清杂剧之著录”、第二章“明清南杂剧演进之态势”、第三章“明中期南杂剧作家作品述评”、第四章“明后期南杂剧作家作品述评”、第五章“清顺康间南杂剧、短剧作家与作品述评”、第六章“清雍乾间南杂剧、短剧述评”、第七章“杨潮观及其《吟风阁杂剧》”、第八章“清嘉道咸杂剧述评”、第九章“清嘉道咸杂剧述评”、附录“清嘉道咸杂剧述评”“清嘉道咸杂剧述评”。

　　曾永义（1941—2022），台湾台南县人。台湾大学文学博士，“中研院院士”。长年从事戏曲、俗文学、韵文学、民俗艺术的维护发扬与教学研究工作。曾在哈佛大学燕京学社、斯坦福大学、香港大学、北京大学、中国戏曲学院等知名学府客座讲学或访问合作。出版《戏曲学》《戏曲剧种演进史考述》《戏曲演进史》等戏曲研究类学术著作20 余部，创作戏曲剧本22 种。被誉为当代戏曲研究的“中流砥柱”，其《戏曲演进史》被认为“完善了一代之学的内涵和外延”，是该领域的标志性著作。

 
戊 明清南杂剧
序 说··················································································215
第一章　明清杂剧之著录 ·························································216
一、“明杂剧体制提要”之统计 ················································ 220
二、“清杂剧体制提要”之统计 ················································ 224
 
第二章　明清南杂剧演进之态势 ················································226
一、明中期杂剧之“南曲化”与“文士化” ································· 226
二、明后期杂剧“昆山腔水磨调化”蜕变为“南杂剧”与“短剧” ··· 230
三、清代杂剧趋于短剧“辞赋化” ············································· 235
 
第三章　明中期南杂剧作家作品述评 ··········································240
一、徐渭生平与《四声猿》杂剧述评········································· 240
二、李开先、许潮、汪道昆三位短剧作家述评····························· 261
 
第四章　明后期南杂剧作家作品述评 ··········································278
引 言 ················································································ 278
一、陈与郊《昭君出塞》《文姬入塞》《义犬记》与徐复祚《一文钱》述评 ························································································ 278 二、沈璟《博笑记》及吴江旗下王骥德《男皇后》、吕天成《齐东绝倒》、沈自徵《渔阳三弄》、叶小纨《鸳鸯梦》述评 ······························ 290
三、叶宪祖《檞园杂剧》十二种述评········································· 315
四、傅一臣《苏门啸》十二种述评············································ 330
五、其他南杂剧诸家 ······························································ 335
 
第五章　清顺康间南杂剧、短剧作家与作品述评 ···························348
一、吴伟业及其他诸家 ··························································· 348
二、徐石麒及其他诸家 ··························································· 354
三、裘琏及其他诸家 ······························································ 365
附录：无名氏《三幻集》 ························································· 373
 
第六章　清雍乾间南杂剧、短剧述评 ··········································374
一、蒋士铨 ·········································································· 374