清明上河图，风俗画里的中国绘画史（英）

　　八百多年前，北宋画家张择端以细腻的笔触描绘了汴京城美丽的清明景象，此画即是《清明上河图》。通过这卷长达5米的画卷，画家将宋朝的历史、社会风俗、宋代生活徐徐展现在我们面前，并以此“宋代风俗画”巅峰之作，进入宋代艺术史，探讨两宋风俗画的兴起、繁盛与衰落，及其在中国艺术史、历史中的重要性，从而延伸至对整个中国绘画史的梳理，以及中西风俗画风格对比解析。Over eight hundred years ago， the Northern Song Dynasty painter Zhang Zeduan depicted a beautiful scene at the Qingming Festival in Bianjing with his delicate brushstrokes， and this painting is known as The Riverside Scene at the Qingming Festival. Through this 5-meter-long scroll， the artist brings the history and social customs of the Song Dynasty to life.This book presents a panoramic guide to life in the Song Dynasty as the “pinnacle of Song custom painting” and explores the rise and decline of custom painting in the Song Dynasty， its importance in Chinese art history， and， by extension， the history of Chinese painting， as well as a comparative analysis of the styles of Chinese and Western custom painting.

　　邦妮，中央美术学院人文学院博士研究生，研究方向以中国美术史为主，发表文章涉及中国古代卷轴画、明代图像视觉文化研究等内容。目前主要关注的学术议题主要为宋元卷轴画与明清大众图像。 Bonnie， Ph.D. at the School of Humanities， Central Academy of Fine Arts. Her research interests are mainly in Chinese art history， and she has published articles on ancient Chinese scroll paintings and visual culture studies of Ming Dynasty images. At present， her major academic focus is on scroll paintings of the Song and Yuan dynasties and popular images of the Ming and Qing dynasties.

Contents
Preface.............................................................................................01
Chapter ITravel in Time Through a Painting 
Section 1 Tranquil Life in Bianjing Suburb........................................................002
Section 2 The Prosperous Bianhe River............................................................008
Section 3 Rainbow Bridge Known as ‘the Visual Center of Painting’...................018
Section 4 Thriving Business.............................................................................024
Section 5 Which Gate of Bianjing City Is It? ....................................................041
Section 6 Busy Urban Area.............................................................................047
Section 7 Secular Figures in the Genre Painting................................................069
Chapter II The Northern Song Dynasty Behind the Masterpiece
Section 1 Bianjing, the Capital of the Northern Song Dynasty...........................076
Section 2 An International Metropolis Supported by Citizens.............................090
Section 3 Bianhe River, Bianjing’s Lifeline........................................................096
Section 4 Water Transport of Grain, the Foundation of the Country...................103
Chapter III ‘The Riverside Scene at the Qingming Festival’ and the Chinese Genre Painting
Section 1 The Song Dynasty’s Genre Painting Trend.........................................112
Section 2 Life of the Song Dynasty in Genre Painting........................................129
Section 3 The Decline of Genre Painting..........................................................142
Section 4 Looking Back on Chinese and Western Genre Paintings.....................150
Chapter IV A-Thousand-Years Odyssey of ‘The Riverside Scene at the Qingming Festival’ 
Section 1 Drifting in the ‘River of History’.........................................................166
Section 2 Building up Fame While Wandering Around......................................176
Section 3 Global Study of ‘The Riverside Scene at the Qingming Festival’..........187
Section 4 Chinese Painting With a Long History................................................190
Section 5 Chinese Painting Closely Connected With World Culture....................197
Appendix A Brief Chinese Chronology......................................................202