Chinese Theatre Arts Vol. 3 戏剧艺术 第三辑

　　本书收录了发表于《戏剧艺术》中文版的12篇戏剧研究的学术论文，涉及话剧研究、戏曲研究、外国戏剧研究、舞台美术研究、表导演研究等不同领域，包括“新世纪以来上海先锋戏剧生态刍议”“五四以来婚姻爱情戏剧的八种模式”“20世纪京剧走向与西方文化影响”“康拉德•斯维纳尔斯基对布莱希特的接受研究”“探索与纠偏：新月社排演《齐德拉》的戏剧史意义 ”等。本书为英译本，读者对象为国外戏剧学者。本书的目的是将国内戏剧学优秀学术成果介绍给英语世界的同行，以便于他们更好地了解中国的戏剧研究学术成果。

　　杨扬，男，58岁，文学博士，教授，上海戏剧学院副院长。中国作家协会会员，上海作协会员，上海作家协会理论委员会副主任，上海市文化基金会专家委员会委员，中国小说学会理事，中国文艺理论学会理事。历任华东师范大学中文系教授、学报编辑部哲社版主编，上海市作协兼职副主席。

Postdramatic Theatre and the Chinese Cultural Context
On the Ecology of Avant - Garde Theatre in Shanghai in the 21st Century
Eight Modes of Romance and Marriage on the Stage since the May Fourth Movement: A Historical Overview
Exploration and Correction: The Significance of Xinyue Society's
、 Staging of Chitra in Theatre History
The "Gong-Fa" of Xiqu
Investigating the Artistic Features of the "Performative Stage Directions" of Liyuanxi
The Trajectory of Jingju and the Impact of Western Culture in the 20th Century
The Theoretical Travel and Innovation of the Actantial Model in China
From Mickiewicz to Lupa: The Spread and Reception of Polish Drama in China
Konrad Swinarski and the Influence of Bertolt Brecht - The Positive Impact of Intercultural Reception on the Development of Theatre
Hip-hop, Immigrants, and Multi-culturalism: Unpacking the "Revolution" and "American Dream" in Hamilton
Reconsidering Cultural and Gender Identities: Analysis of the Xiqu Elements in M. Butterfly: Broadway Revival Edition