瓦尔堡选集

　　本书是关于瓦尔堡的译作。阿比•瓦尔堡是20世纪卓越的美术史家和文化史家，他生前发表的著述并不多，其作品主要是1933年出版的《文集》，但这个《文集》流传甚少。直到20世纪末，西方出现瓦尔堡复兴，其作品再次受到关注，《文集》才被翻译成英文。英文版《文集》体量巨大，本书去粗取精，收录瓦尔堡著作中较有价值、较为重要的学术成果，同时收录了一些英文版《文集》尚未收入的作品。

　　作者阿比•瓦尔堡，德国20世纪最伟大的艺术史家，现代图像学创始人，其对图像学和文化史的贡献需要重新加以认识与重视。译者吴琼，中国人民大学哲学院教授、美学教研室主任，译有《西方的没落》等作品。

【目录】
译者前言··············································································································· 001
桑德罗·波提切利的《维纳斯诞生》和《春》：意大利文艺复兴早期古风观念考（1893）························································································································027
桑德罗·波提切利（1898）·················································································097
1589年幕间剧的舞台服装：贝尔纳多·波塔伦蒂的设计和艾米里奥·德·卡瓦利埃里的账本（1895）·············································································································103
佛罗伦萨早期版画中“爱的纹章”（1905）······················································160
肖像艺术与佛罗伦萨中产阶级——多米尼科·基朗达约在圣三一教堂：洛伦佐·德·美第奇及其家人的肖像（1902）·······················································································172
弗朗切斯科·萨塞蒂给儿子们的遗言（1907）···················································210
弗莱芒艺术与佛罗伦萨早期文艺复兴（1902）···················································252
15世纪南北方的艺术交流（1905）······································································271
丢勒与意大利古风（1905）···················································································276
费拉拉无忧宫的意大利艺术与国际占星学（1912）············································281
路德时代词与像中的异教—古代预言（1920）····················································303