中国民歌地理分布（英文版）

　　本书从内容来看，将突破传统原有的音乐歌曲、歌舞音乐、说唱音乐、戏曲和器乐“五大类”的局限，力求反映近30余年来音乐学界的最新成果。此外，在保留原来的体裁分类的“音乐形态模式”之基础上，又增加了按音乐风格区分类的“地理空间模式”。即增设了中国民歌的“十三个音乐文化区”，把各区域中具有代表性的民歌歌种置于特定区域文化环境中进行编著。系统总结了我国不同文化环境中的民歌歌种，可供音乐类专业研究生学习借鉴。

　　袁玥，1979年8月生于湖北省鄂州市。中国地质大学（武汉）艺术与传媒学院副教授，硕士研究生导师。中国传统音乐学会会员，湖北省音乐家协会会员。主要研究方向：中国传统音乐、声乐艺术研究、音乐传播学。曾应邀出访美国、罗马尼亚、保加利亚和塞尔维亚等国家进行文化交流和演出实践活动。主持教育部人文社科基金项目1项，多篇论文发表在《音乐研究》《广西民族研究》《文艺争鸣》等核心期刊上，指导的学生曾获得国内外多种奖项。

1 INTRoDUCTIoN
2 CHINESE FOLK SONGS AND SONG-DANCE MUSIC
2.1 Folk Songs
2.2 Song-Dance Music
3 THE CULTURAL AREA OF GUANDONG FOLK SONGS AND SONG-DANCE MUSIC
3.1 Regional Overview
3.2 Representative Music and Genres
4 FOLK SONGS AND SONG-DANCE MUSIC IN INNER MONGOLIA
4.1 Regional Overview
4.2 ：Representative Music and Genres
4.3 Features of Mongolian Folk Songs and Song-dance
5 FOLK SONGS AND SONG-DANCE MUSIC IN XINJIANG
5.1 Regional Overview
5.2 Representative Music and Genres
6 FOLK SONGS AND SONG-DANCE MUSIC IN CENTRAL PLAINS
6.1 Regional Overview
6.2 Representative Music and Genres
7 THE FOLK SONGS AND SONG-DANCE MUSIC OF QIN AND JIN
7.1 Regional Overview
7.2 Representative Music and Genres
7.3 Musical Features
8 THE FOLK SONGS AND SONG-DANCE MUSIC OF QINGHAI.TIBET
8.1 Regional Overview
8.2 Representative Music and Genres
8.3 Features of Tibetan Music
9 THE FOLK SONGS AND SONG-DANCE MUSIC OF BASHU
9.1 Regional Overview
9.2 Representative Music and Genres
10 THE FOLK SONGS AND SONG-DANCE MUSIC OF JINGCHU
10.1 Regional 0verview
10.2 Representative Music and Genres
11 THE FoLK SONGS AND SONG-DANCE MUSIC OF WUYUE
11.1 Regional 0verview
11.2 ReDresentative Music and Genres
12 THE FOLK SONGS AND SONG-DANCE MUSIC OF DIAN(YUNNAN)-QIAN (GUIZHOU)
12.1 Regional 0verview
12.2 ReDresentative Music and Genres
13 THE FoLK SONGS AND SONG-DANCE MUSIC IN MIN(FUJIAN)-TAI(TAIWAN) REGIoN
13.1 Regional Overview
13.2 ReDresentative Music and Genres
14 THE FoLK SONGS AND SONG-DANCE MUSIC OF LINGNAN
14.1 Regional 0verview
14.2 Representative Music and Genres
15 THE FOLK SONGS AND SONG-DANCE MUSIC OF HAKKA
15.1 Regional Overview
15.2 ReDresentative Music and Genres
Acknowledgments
References