横滨玛丽：被遗忘的真实

　　一度活跃在横滨街头的白妆老妓玛丽，因其特异的妆扮、扑朔迷离的身世成为一代街头传奇，融入战后横滨人的记忆。尔后，随着城市的变迁以及玛丽年纪渐老，她从街头黯然消失。本书是中村高宽导演纪录片《横滨玛丽》的创作手记，不仅记录了电影的构思、拍摄、制作过程，而且记述了电影台前幕后的故事，力图呈现导演的叙事理念与手法。本书以追寻真实的玛丽为线索展开，通过口述资料、报刊资料，以及作者实地调查的一手材料，层层拨开玛丽的神秘面纱。玛丽的人生际遇也可谓是横滨的城市变迁史，乃至日本的近现代史的缩影。

　　作者：中村高宽，1975年生。电影导演、日本东北艺术工科大学影像学科准教授。1997年在松竹公司大船片厂开始职业生涯，参与多部影视剧作品。2006年完成导演处女作《横滨玛丽》，在加拿大多伦多国际电影节首映，后参加釜山国际电影节、温哥华国际电影节。在日本国内获横滨文华奖文化·艺术奖励奖、神奈川文化将未来奖、文化厅记录电影单元优秀奖等10个奖项。2017年，时隔11年完成第二部作品《禅与骨》。 译者： 王众一，1963年生。跨文化传播媒体人、日本电影研究者、翻译家。现任日文月刊《人民中国》总编辑。曾以访问学者身份在东京大学从事表象文化研究，对电影与传播的关系、中日文化交流史等有较多关注，著有随笔、评论与人物专访等。近年尝试以汉俳形式汉译日本俳句、川柳，并从事俳句、汉俳创作。著有《日本韩国国家形象的塑造与形成》，译有《日本电影100年》《日本电影110年》《创新激情：1980年以后的日本电影》《严复：中国近代探寻富国强兵的启蒙思想家》《溥仪的后半生》《中国衣饰文化（日文）》等。

第一章 玛丽是谁················································· 1

一切始于电话俱乐部······································· 3

城市传说与传闻············································· 9

倾听城市的声音············································20

真实与事实之间············································29

拍摄玛丽的人···············································34

第二章 通过横滨解读近现代史 ····························43

人祭—阿三宫的传说······································45

唐人阿吉与洋妾············································47

青楼女子成为攘夷的牺牲品·····························52

淘金热························································60

世界贸易港“YOKOHAMA” ·····························71

山下公园—复兴的象征···································74

二战期间公开场合接吻被定为公然猥亵罪···········76

占领军来了··················································79

守卫大和抚子的纯洁······································84

娼妓们的战后·············································92

城市的变迁·············································· 100

第三章 “玛丽”的记忆 ·······································103

玛丽献上的花束·········································· 105

元次郎三十三年的夙愿································· 115

玛丽的竞争对手·········································· 130

第四章 罗莎与玛丽············································141

寻找成为传奇的电影···································· 143

懵然碰壁··················································· 161

横滨罗莎告诉我们的···································· 166

黄金町的地下世界······································· 175

第五章 滨城玛丽：横滨与横须贺 ························183

与“战后”拥眠的女人·····································185

这年夏天，见到素面的玛丽··························· 210

第六章 两个人的《我行我素》 ···························225

纪录电影的真髓···········································227

拍摄“日常” ·················································235

与玛丽重逢的演唱会···································· 239

重大的挫折················································ 242

第七章 听见伊势佐木町布鲁斯 ···························253

窘迫的打工生活·········································· 255

根岸家档案················································ 259

横滨末代陪酒艺妓······································· 271

根岸家毁于一把火······································· 277

第八章 终章···················································· 289

“忧伤的向阳处”  ·········································· 291

含泪的告别演唱会······································· 297

元次郎之死················································ 303

亲弟弟谈玛丽············································· 311

破纪录的火爆············································· 315

留住将要消亡的记忆···································· 319

为玛丽扫墓················································ 321

主要参考文献···················································324

译后记 ·························································· 326