文化唯物主义

　　文化唯物主义兴起于二十世纪八十年代，极盛于九十年代，在时下的文学研究中仍有巨大影响。它在文艺复兴文学和文化研究领域建树颇丰，特别是在莎士比亚研究领域.已占据重要地位。文化睢物主义是对三种文学批评方法——细绎派批评、传统的马克思主义批评以及历史主义批评的有限继承和部分否定，与此同时，它还吸收了雪蒙·威廉斯的文化理论、路易。阿尔都塞的意识形态理论以及安东尼奥’葛兰西的文化霸权理论等思想。《文化唯物主义/外语学科核心话题前沿研究文库·外国文学研究核心话题系列丛书》首先阐述了文化唯物主义产生的社会历史背景，发掘其理论渊源，比较了它与新历史主义之间的异同；接着探讨了文化唯物主义的两位代表人物——艾伦·辛菲尔德和乔纳森·多利莫尔——的批评建树，并展示其具体的批评手法；最后分别利用文化唯物主义和新历史主义的批评策略对萧伯纳的《芭巴拉少校》和狄更斯的《艰难时世》进行剖析，以例详说其应用方式。《文化唯物主义/外语学科核心话题前沿研究文库·外国文学研究核心话题系列丛书》既是理论阐释，也是研究方法指南，兼具学术性、应用性、原创性与文学性，既可供外国文学方向硕博研究生、年轻教师、研究者参考，亦适合文学爱好者阅读。

　　赵国新，北京外国语大学教授，博士生导师，外国文学研究所研究员。主要研究方向为现代西方文学理论与批评、西方马克思主义文学理论与批评。袁方，外国文学研究所研究员。

总序
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······························· 张 剑 viii
前言
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······························· 赵国新 xvii
第一章 思想渊源与历史 1
1．1 英国新左派
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1．1．1 新左派的思想建树
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1．1．2 老一代新左派
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1．1．3 新一代新左派
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1．1．4 新左派的衰落
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1．2 从历史主义到西方马克思主
义·············································25
1．2．1 蒂利亚德的历史主义批评
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1．2．2 细绎派的道德形式主义
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1．2．3 威廉斯
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1．2．4 阿尔都塞
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1．2．5 葛兰西
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1．2．6 汉尼曼与布莱希特
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41
1．3 新历史主义与文化唯物主义
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1．3．1 格林布拉特
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1．3．2 文化唯物主义与新历史主义之异同 ·························61
第二章 文化唯物主义批评（一）：艾伦·辛菲尔德 64
2．1 文艺复兴时期的文学及莎士比亚研究
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2．2 文化唯物主义研究的转向
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2．3 批评案例（一）
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2．4 批评案例（二）
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第三章 文化唯物主义批评（二）：乔纳森·多利莫尔 92
3．1 文艺复兴时期的戏剧与同性恋研究
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3．2 批评案例（三）
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第四章 《芭巴拉少校》的文化唯物主义分析 114