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中美版权争议的修辞学研究(英文版)
作者:董秋敏
出版社:河南大学出版社
出版时间:2017-10-01
ISBN:9787564912192
定价:¥28.00
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内容简介
《中美版权争议的修辞学研究(英文版)/英语博士文库》共分六章,以修辞学的视角,运用比较、对比修辞、跨文化交流和意识形态批评的方法,分析了中西古典修辞学著作、中美现代法律和政令以及中美版权协议的三套共十二个文本资料,回答两个问题:中美两国的修辞和文化传统以及版权国际化怎样影响两国对版权保护的认识的法律实施?这种影响对中美专业交流有何意义?
作者简介
董秋敏,1963年生,河南登封人。1979年考入河南大学英语系,1983年获得学士学位,后留校任教。2003年至2011年先后在美国明尼苏达州立大学英语系和新墨西哥州立大学英语系学习,并获得文学硕上学位和博士学位。主要研究方向为西方修辞学、比较修辞学和跨文化研究。近年在欧美多家学术期刊上发表论文数篇。
目录
前言
Chapter One IntroductiontotheStudy
1.1 Introduction
1.2 Problem Statement:Reality of China’S Copyright Protection versustheExpectationsoftheUnitedStates
1.3 westerrdGreco.Roman Rhetorical Tradition
1.4 U.S.CulturalValuesandBeliefs
1.5 ChineseRhetoricalHeritage
1.6 ChineseCulturalValuesandBeliefs
1.7 Global Copyright Practice and the U.S China Debate
1.8 RhetoriC:A General Defmition and its Relatedness to the Project
1.9 Rhetoric and the U.S China Copyright Approaches: Meta-Methods.
1.10 Conclusion
Chapter Two Methods
2.1 Introduction
2.2 Main Research Question and Sub-Questions
2.3 Quantitative and Qualitative Methods versus Rhetorical Criticism
2.4 Why Comparative Rhetorical Approach
2.5 Cluster Analysis: An Approach to Articulate the Author's Intention on the Audience
2.6 Intercultural Rhetoric/Communication: The Approach to Cultural Values and Beliefs as Well as Behaviors
2.7 Marxist Criticism: An Ideological Approach to the U.S.- China Conflicts over Copyright Practice
2.8 Researcher Role
2.9 Research Materials
2.10 Conclusion
Chapter Three Rhetorical Tradtions and Western(U.S.)/Chinese Legal (Copyright) Approaches——A Cluster Analysis
3.1 Introduction
3.2 Rule by Law or Rule by Man: The Concept of Virtue/Ethos in Early Greco/Roman and Chinese Rhetorical Traditions-.-
3.3 Plato's Concept of Virtue in Protagoras
3.4 Ethos as Human Character in Aristotle's On Rhetoric
3.5 Cicero's Ideal Orator in De Oratore
3.6 Chinese Rhetorical Tradition: Confucianism and Daoism
3.7 Western and Chinese Concept of Virtue/Ethos and its Potential Impact on U.S. and Chinese Legal (Copyright) Approaches: A Comparison and Contrast
3.8 Conclusion
Chapter Four The Impact of Cultural Traditions on the U.S. and China Legal/Copyright Approaches——the Cultural Dimensions
4.1 Introduction
4.2. U.S. Cultural Dimensions: Cultural Values and Beliefs Revealed in the Declaration of Independence and the U.S. Constitution
4.3 Universalism, Individualism, and Low Power Distance: U.S. Cultural Dimensions and Values and Beliefs
4.4 Chinese Cultural Dimensions: Cultural Values and Beliefs Revealed in the Constitution of the People's Republic of China and Deng Xiaoping's Southern Tour Speeches
4.5 Particularism, Collectivism, and High Power Distance: Chinese Cultural Dimensions and Values and Beliefs
4.6 Cultural Dimensions and Their Potential Impact on the U.S.-China Copyright Approaches: A Comparison and Contrast
4.7 Conclusion
Chapter Five The U.S. and Chinese Approaches to Copyright Practice—An Ideological Criticism
5.1 Introduction
5.2 Global Copyright Protection: From Internationalization to Globalization
5.3 The U.S.-China Copyright Conflicts: The 1992 MOU and the 1995 U.S.-China IP Agreement
5.4 The Ideology of the Conflict: Implications for the U. S. and Chinese Copyright Approaches
5.5 Conclusion
Chapter Six Discussions and Conclusions
6.1 Introduction
6.2 Summary of Research Results
6.3 Conclusions
6.4 Recommendations for the Discipline and Policy Makers
6.5 Limitations of the Study
6.6 Contributions
References
Chapter One IntroductiontotheStudy
1.1 Introduction
1.2 Problem Statement:Reality of China’S Copyright Protection versustheExpectationsoftheUnitedStates
1.3 westerrdGreco.Roman Rhetorical Tradition
1.4 U.S.CulturalValuesandBeliefs
1.5 ChineseRhetoricalHeritage
1.6 ChineseCulturalValuesandBeliefs
1.7 Global Copyright Practice and the U.S China Debate
1.8 RhetoriC:A General Defmition and its Relatedness to the Project
1.9 Rhetoric and the U.S China Copyright Approaches: Meta-Methods.
1.10 Conclusion
Chapter Two Methods
2.1 Introduction
2.2 Main Research Question and Sub-Questions
2.3 Quantitative and Qualitative Methods versus Rhetorical Criticism
2.4 Why Comparative Rhetorical Approach
2.5 Cluster Analysis: An Approach to Articulate the Author's Intention on the Audience
2.6 Intercultural Rhetoric/Communication: The Approach to Cultural Values and Beliefs as Well as Behaviors
2.7 Marxist Criticism: An Ideological Approach to the U.S.- China Conflicts over Copyright Practice
2.8 Researcher Role
2.9 Research Materials
2.10 Conclusion
Chapter Three Rhetorical Tradtions and Western(U.S.)/Chinese Legal (Copyright) Approaches——A Cluster Analysis
3.1 Introduction
3.2 Rule by Law or Rule by Man: The Concept of Virtue/Ethos in Early Greco/Roman and Chinese Rhetorical Traditions-.-
3.3 Plato's Concept of Virtue in Protagoras
3.4 Ethos as Human Character in Aristotle's On Rhetoric
3.5 Cicero's Ideal Orator in De Oratore
3.6 Chinese Rhetorical Tradition: Confucianism and Daoism
3.7 Western and Chinese Concept of Virtue/Ethos and its Potential Impact on U.S. and Chinese Legal (Copyright) Approaches: A Comparison and Contrast
3.8 Conclusion
Chapter Four The Impact of Cultural Traditions on the U.S. and China Legal/Copyright Approaches——the Cultural Dimensions
4.1 Introduction
4.2. U.S. Cultural Dimensions: Cultural Values and Beliefs Revealed in the Declaration of Independence and the U.S. Constitution
4.3 Universalism, Individualism, and Low Power Distance: U.S. Cultural Dimensions and Values and Beliefs
4.4 Chinese Cultural Dimensions: Cultural Values and Beliefs Revealed in the Constitution of the People's Republic of China and Deng Xiaoping's Southern Tour Speeches
4.5 Particularism, Collectivism, and High Power Distance: Chinese Cultural Dimensions and Values and Beliefs
4.6 Cultural Dimensions and Their Potential Impact on the U.S.-China Copyright Approaches: A Comparison and Contrast
4.7 Conclusion
Chapter Five The U.S. and Chinese Approaches to Copyright Practice—An Ideological Criticism
5.1 Introduction
5.2 Global Copyright Protection: From Internationalization to Globalization
5.3 The U.S.-China Copyright Conflicts: The 1992 MOU and the 1995 U.S.-China IP Agreement
5.4 The Ideology of the Conflict: Implications for the U. S. and Chinese Copyright Approaches
5.5 Conclusion
Chapter Six Discussions and Conclusions
6.1 Introduction
6.2 Summary of Research Results
6.3 Conclusions
6.4 Recommendations for the Discipline and Policy Makers
6.5 Limitations of the Study
6.6 Contributions
References
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