书籍详情
Intellectual Constellations（1980-2008）
作者：谷李 著；李珮 编
出版社：中国传媒大学出版社
出版时间：2016-07-01
ISBN：9787565716874
定价：¥42.00
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内容简介
《Intellectual Constellations（1980-2008）》主要内容包括：Introduction、Soul and Flesh： The Novel、The Debate on the Meaning of the Novel、 Friendship， Affect， and Soul and Flesh Re-read、 Epilogue、Introduction： A Choreographed Encounter/non-encounter、Jia Zhangke's Aesthetics and Politics： Staring at the Real、The Real and the Ordinary、The Intellectuals、 Aesthetics vs Politics： Recording Without Representing等。
作者简介
谷李，西南政法大学全球新闻与传播学院副教授。本科毕业于北京电影学院管理系，硕士毕业于美国鲍灵格林州立大学传播学院，博士毕业于美国马萨诸塞大学阿默斯特分校传播系，四川大学传播学博士后。主要研究兴趣包括文化研究、媒介研究和纪录片，在国际国内学术期刊发表文章涉及性别政治、媒介考古学、创意产业、文化研究教学等。在研项目涉及认知传播、媒介技术与艺术等。
目录
CHAPTER 1 INTRODUCTION
1．1 China and Intellectual Property
1．1．1 Domestication
1．1．2 Penetration
1．2 Intellectual Property Under Critique
1．3 A Conquest or a Retreat?
1．4 Waning of Socialism as Postsocialist Sentiment
1．5 Chapter Outline
CHAPTER 2 A POSTSOCIALIST FRIENDSHIP： THE AFFECTIVE PURSUIT OF SOUL AND FLESH
2．1 Introduction
2．2 Soul and Flesh： The Novel
2．3 The Debate on the Meaning of the Novel
2．4 Friendship， Affect， and Soul and Flesh Re-read
2．5 Epilogue
CHAPTER 3 CRITIQUE OF AN INTELLECTUAL FASHION：USELESS AND JIA ZHANGKE'S EMERGING IMPASS
3．1 Introduction： A Choreographed Encounter/non-encounter
3．2 Jia Zhangke's Aesthetics and Politics： Staring at the Real
3．2．1 The Real and the Ordinary
3．2．2 The Intellectuals
3．2．3 Aesthetics vs Politics： Recording Without Representing
3．3 Useless： Between the Intellectuals and the Ordinary
3．4 The Truth of the Choreography?
3．5 After Useless
CHAPTER 4 MAO'S POLITICAL ECONOMY9 OR， FOR ANOTHER POLITICS OF CREATIVE INDUSTRY
4．1 Introduction
4．2 Politics of Creative Industries
4．2．1 Nicolas Garnham
4．2．2 Stuart Cunningham and Terry Flew
4．2．3 Richard Florida
4．2．4 Toby Miller
4．3 State， Market， and Mao's Political Economy
CHAPTER 5 VIEWS ON CREATIVE INDUSTRY：NOTES FROM CHONGQING
5．1 Introduction：Two Takes
5．1．1 Take One：Comparability and Timefulness
5．1．2 Take Two：What About Nanaimo?
5．2 Chongqing：From Heavy Industry to Creative Industry
5．2．1 Chongqing：An Industrial History
5．2．2 Toward a City of Creative Industry：Creative Industry Initiatives in Chongqing（2006-2008）
5．3 An Ethnographic Study
5．3．1 Research Questions，lnterview Questions and Data Collection
5．3．2 Data
……
1．1 China and Intellectual Property
1．1．1 Domestication
1．1．2 Penetration
1．2 Intellectual Property Under Critique
1．3 A Conquest or a Retreat?
1．4 Waning of Socialism as Postsocialist Sentiment
1．5 Chapter Outline
CHAPTER 2 A POSTSOCIALIST FRIENDSHIP： THE AFFECTIVE PURSUIT OF SOUL AND FLESH
2．1 Introduction
2．2 Soul and Flesh： The Novel
2．3 The Debate on the Meaning of the Novel
2．4 Friendship， Affect， and Soul and Flesh Re-read
2．5 Epilogue
CHAPTER 3 CRITIQUE OF AN INTELLECTUAL FASHION：USELESS AND JIA ZHANGKE'S EMERGING IMPASS
3．1 Introduction： A Choreographed Encounter/non-encounter
3．2 Jia Zhangke's Aesthetics and Politics： Staring at the Real
3．2．1 The Real and the Ordinary
3．2．2 The Intellectuals
3．2．3 Aesthetics vs Politics： Recording Without Representing
3．3 Useless： Between the Intellectuals and the Ordinary
3．4 The Truth of the Choreography?
3．5 After Useless
CHAPTER 4 MAO'S POLITICAL ECONOMY9 OR， FOR ANOTHER POLITICS OF CREATIVE INDUSTRY
4．1 Introduction
4．2 Politics of Creative Industries
4．2．1 Nicolas Garnham
4．2．2 Stuart Cunningham and Terry Flew
4．2．3 Richard Florida
4．2．4 Toby Miller
4．3 State， Market， and Mao's Political Economy
CHAPTER 5 VIEWS ON CREATIVE INDUSTRY：NOTES FROM CHONGQING
5．1 Introduction：Two Takes
5．1．1 Take One：Comparability and Timefulness
5．1．2 Take Two：What About Nanaimo?
5．2 Chongqing：From Heavy Industry to Creative Industry
5．2．1 Chongqing：An Industrial History
5．2．2 Toward a City of Creative Industry：Creative Industry Initiatives in Chongqing（2006-2008）
5．3 An Ethnographic Study
5．3．1 Research Questions，lnterview Questions and Data Collection
5．3．2 Data
……
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