书籍详情
哈罗德·品特戏剧话语里沉默现象的语用文体学研究
作者：王燕 著
出版社：中国社会科学出版社
出版时间：2013-11-01
ISBN：9787516133675
定价：¥59.00
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内容简介
哈罗德·品特素有“沉默大师”的美誉。他声称自己的戏剧里“有两种形式的沉默。一种表现为没有言语，另一种则以‘滔滔不绝’的话语形式出现。”“‘滔滔不绝’的话语”缘何成为沉默？另外，沉默被认为是“品特式”风格的精华所在，它在品特戏剧中究竟担当何等重任、发挥何等功能呢？为揭开这两个问题的谜底，《哈罗德·品特戏剧话语里沉默现象的语用文体学研究》首先将研究的矛头探入沉默的本质，证实沉默是人类话语交际中有机、动态、不可或缺的组成部分，并厘清沉默和言语、沉默和其它语言成份的关系。接下来，《哈罗德·品特戏剧话语里沉默现象的语用文体学研究》依照品特本人的观点、将其戏剧中的沉默分成两大类别：静默和语境沉默。为了探究沉默在品特戏剧文本中所发挥的功能和作用，它被视为一种语用行为，在两个层面的交际中发挥着重要功能：一个是剧本内部的、剧中人物之间的微观语境的交际；一个是延伸到剧本外部、涵盖社会文化语境、从作者到受众的宏观语境的交流。研究发现，在以人物言语为基础的微观交际层面中，沉默可作为认知行为，情感行为，意图行为。在以剧本为媒介的宏观话语层面上，沉默作为修辞行为，肩负着传达主题、强化戏剧性、创造诗意美的丰富功能。
作者简介
王燕，博士，副教授，陕西渭南人。本科、硕士就读于西安外国语学院。2008年在上海交通大学获得外国语言学与应用语言学博士学位。曾经在上海交通大学任教10年，现系上海政法学院外国语学院教师。从事学术研究十余载，前后在《戏剧一中央戏剧学院学报》、《外国文学》、《国外文学》、《当代外国文学》、《英美文学论丛》等核心期刊上发表论文20余篇。
目录
Preface
PART ONE PRELIMINARIES
Chapter Ⅰ Introduction
1.1 Research Motivations and Questions
1.2 The Problems of the Previous Researches on the Silence in Pinter' s Drama
1.3 The Relevant Solutions Proposed by the Current Research
PART TWO FEATURES AND NORMS OF SILENCE
Chapter Ⅱ Silence in the Realm of Language
2.1 Introduction
2.2 General Definitions of Silence
2.3 The Nonabsolute Nature of Silence
2.4 Silence as an Organic Linguistic Component
2.5 Why is "a Torrent of Language" Silence？
2.6 Conclusion
Chapter Ⅲ Taxonomies of Silences
3.1 Introduction
3.2 Taxonomies of Silences in General
3.3 A Typology of Silences in Pinter' s Drama
3.4 Conclusion
PART THREE PRAGMATIC FUNCTIONS OF SILENCES IN PINTER' S DRAMATIC DISCOURSE
Chapter Ⅳ Theoretical Framework and Methodology
4.1 Introduction
4.2 Pragmatic Act Theory as the Theoretical Framework
4.3 Interpretation Methods of Silence
4.4 Conclusion
Chapter Ⅴ Silences as Pragmatic Acts in the Interactions among Characters
5.1 Introduction
5.2 Silences as Cognitive Acts
5.3 Silences as Emotional Acts
5.4 Silences as Intentional Acts
5.5 Conclusion
Chapter Ⅵ Silences as Pragmatic Acts in the Communication from the Playwright to the Reader/Audience
6.1 Introduction
6.2 The Model of Literary Communication in Pinter' s Dramatic Discourse
6.3 Silences as Thematic Acts
6.4 Silences as Dramatic Acts
6.5 Silences as Poetic Acts
6.6 Conclusion
Chapter Ⅶ Conclusion
7.1 Summary
7.2 Contributions and Implications
7.3 Limitations and Suggestions
Bibliography
Appendix
Acknowledgements
PART ONE PRELIMINARIES
Chapter Ⅰ Introduction
1.1 Research Motivations and Questions
1.2 The Problems of the Previous Researches on the Silence in Pinter' s Drama
1.3 The Relevant Solutions Proposed by the Current Research
PART TWO FEATURES AND NORMS OF SILENCE
Chapter Ⅱ Silence in the Realm of Language
2.1 Introduction
2.2 General Definitions of Silence
2.3 The Nonabsolute Nature of Silence
2.4 Silence as an Organic Linguistic Component
2.5 Why is "a Torrent of Language" Silence？
2.6 Conclusion
Chapter Ⅲ Taxonomies of Silences
3.1 Introduction
3.2 Taxonomies of Silences in General
3.3 A Typology of Silences in Pinter' s Drama
3.4 Conclusion
PART THREE PRAGMATIC FUNCTIONS OF SILENCES IN PINTER' S DRAMATIC DISCOURSE
Chapter Ⅳ Theoretical Framework and Methodology
4.1 Introduction
4.2 Pragmatic Act Theory as the Theoretical Framework
4.3 Interpretation Methods of Silence
4.4 Conclusion
Chapter Ⅴ Silences as Pragmatic Acts in the Interactions among Characters
5.1 Introduction
5.2 Silences as Cognitive Acts
5.3 Silences as Emotional Acts
5.4 Silences as Intentional Acts
5.5 Conclusion
Chapter Ⅵ Silences as Pragmatic Acts in the Communication from the Playwright to the Reader/Audience
6.1 Introduction
6.2 The Model of Literary Communication in Pinter' s Dramatic Discourse
6.3 Silences as Thematic Acts
6.4 Silences as Dramatic Acts
6.5 Silences as Poetic Acts
6.6 Conclusion
Chapter Ⅶ Conclusion
7.1 Summary
7.2 Contributions and Implications
7.3 Limitations and Suggestions
Bibliography
Appendix
Acknowledgements
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