中国诗学的精神（英文）

　　This book looks into some highlights of　Chinese poetics from a historical and　transcultural perspective。 It carries out　an in-depth discussion of such thematic　topics as Confucius’ expectation of poetry　in　education，Mozi and Xunzi on musical　functions，Liu Xie’s critical illumination　of poetic styles，Zhu Xi’s moralistic view　of poetry，the poetic wisdom in the zen　enlightenment，Wang Guowei’s aesthetic　criticism of the poetic state par excellence，and Lu Xun’s sublime poetics of rnmratic　type。All this is conducted through textual　and contextual analysis in order to　facilitate a new rediscovery and creative　synthesis。

　　Wang Keping （Keping Wang，b.1955， M.A. Ph.D.） is a research　fellow of Chinese Academy　of Social Sciences，university　professor of Beijing International　Studies University，visiting fellow　at St。Anne’s College of the　University of Oxford （2000）， and　an honorary member of Olympic　Center for Philosophy and Culture　under the University of Athens。His main writings in English　include Ethos of Chinese Culture，Chinese Philosophy on Life，and　The Classic of the Dao：A New　Investigation。His major works in　Chinese include Interpretation and　Reflection，Plato’s Poetics in the　Republic， Towards A Transcultural　Aesthetics，and Aesthetic Traveling。Two of his books were awarded　Beijing Municipal Prize in 2004　and 2006 respectively。

Foreword
Chapter 1 A Manifold Expectation of Poetry
　1.Poetry as a Social Discourse
　2.Poetry as an Aesthetic Discourse
　　2.1　Poetic Xing
2.2　Poetic Guan
2.3　Poetic Qun
2.4　Poetic Yuan
　3.Poetry as a Moral Discourse
Chapter 2 Confucius and Plato on Music
1.Psychical Effect of Music
2.Aesthetic Value of Music
3.Moral Function of Music
4.Political Expectation of Music
5.Pedagogical Worth of Music
6.A Comparative Remark
Chapter 3 A Debate on the Functions of Music
1.Against Music：Mozio’s Negative Utilitarianism
2.For Music：Xunzi’s Positive Utilitarianism
3.A Reconsideration of the Opposing Views
Chapter 4 A Critical Illumination of Poetic Styles
1. The Literary Development：Form and Style
　　1.1　The Institutional Factor
1.2　The Fashion Impact
1.3　The Political Element
1.4　Group Dynamics
1.5　Historico-cultural Context
1.6　Artistic Individuality
　2.Artistic Creation：Proper Inclusiveness　and Holistic Vision
　3.Stylistic Paradigms：Naturalness，Gracefulness and Elegance
　3.1　Naturalness as Beauty
　3.2　Gracefulness and Elegance
Chapter 5 A Moralistic View of Poetry
1.Conformity to the Moral Principle a priori
2.A Bi-polarized Treatment of the Guofeng
3.Second Reflection　on “Having No Depraved Thoughts”
Chapter 6 Poetic Wisdom in Zen Enlightenment
1.Revelation from Natural Scenes
2.Natural Spontaneity as a Psychical Path
3.A Poetic Way of Zen Enlightenment
　　3.1　Gradual Enlightenment
　　3.2　Sudden Enlightenment
4. The Realm of Sumyata as Beauty
Chapter 7　Aesthetic Criticism of
1.Beyond East and West：An Transcultural Transformatio
　2.Aesthetic Education as a Critical Necessity（　Meiyu Shuo）
　……
Chapter 8　A Sunlimr Poetics of Maratic Type
Afterword
Appendix