哈特诗歌和西方文化传统

　　This work argues that Kevin Hart's poetry has a close relationship　with western traditions and there are dual realities in Kevin Hart's poetic　space， and this space includes the elements of classicism， romanticism，modernisms（cubism，surrealism），dual tradition of theology （positive the-ology and negative theology）， and French post-phenomenological thinking. The dual realities are testified to by some binary pairs in Hart's poetry： the concrete， conscious， definite， familiar， natural， phenomenal， physical，and positive standing side by side with the abstract， higher， ideal， in-definite， intellectual， metaphysical， negative， philosophical， surreal， transcendental， and unconscious. The latter are achieved from the former　through a process of transcending or going beyond， and the mediums be　tween the two poles of binary pairs are death， denial， denudation， deprivation， dying， idealisation， negation， rejection， transgression， transcendence，and transformation.

暂缺《哈特诗歌和西方文化传统》作者简介

Part I Introduc tion
Section I Introduction
　Section II Ha rt’S Backg round and Achievements
　Section III Literatu re Review．1978—2003
　Section IV Methodology
Part II From Classicism to Romanticism
　Section I Classical Elements in Hart’S Poems
　Section II Hart’S Romantic Internalized Quest
Part III Modernisms in Hart's Poems
　Section I Elements 0f Cubism
　Section II Elements 0f Su rrealism
Part IV Hart's Faith and the Dual Tradition of Theology
　Section I Positive Theology
　Section II Negative Theology
Part V Relingion without Religion
　Section I Questing fOr“Continuity of Being”through Desi re and Death
　Section II Seeking for“Exteriority”th rough Transcendence
　Section III Religion without Religion
Part VI Cone husion
Attac hments:
1.Bibliography
2.15poms by Hart in transiation